Chapter
3: The Great Fear
The majority of Shakespeare’s plays
take place in different countries, countries that did not undergo extreme
religious upheaval multiple times over in the past half-century. In fact, save
for the ancient and mythical plays, most of Shakespeare’s plays are set in very
Catholic Italian cities (Verona, Padua, Venice, etc.) With such settings, it is
no wonder that many plays include Priests, Friars, Nuns and a novice. And
speculation about Shakespeare as a secret Catholic came about.
Greenblatt uses this chapter to
discuss the possibility of Shakespeare as a secret Catholic, or as someone who
could have come into contact with members of the Catholic resistance. Two
people, Thomas Cottam and Edmund Campion are mentioned at length as Greenblatt
discusses their entry into England as secret Catholic missionaries – hearing
confessions and saying masses in barns. It is very difficult for a Nation of
people to change their beliefs and practices at the rate at which the English
Crown was changing heads in the later half of the 16th century. It
is not surprising that there was a desire for the old religion at this time.
Why does Greenblatt think that
Shakespeare may have been a secret Catholic? Well aside from the fact that many
of his plays take place in catholic cities with catholic characters?
Shakespeare’s lost years, again. The man may have been a law clerk, but there
also seems to be the possibility that Shakespeare was a school teacher for a
time, and it just so happens that the school where he would have been teaching,
had an odd habit of hiring professors with Catholic leanings.
However, even though they were in
some hushed high demand, Catholic priests were not permitted to say mass or
even practice on English soil. The end of this chapter goes into detail about
the executions of each man. Drawing and quartering, entrails being burned in
front of their very eyes – Greenblatt goes into detail, so if you have a weak
stomach, this may be something to skip.
I
wasn’t a fan of this chapter, I understand the need for it – and Greenblatt
ties it up nicely with reference to Shakespeare’s journey to Anne Hathaway’s
farm for a little roll in the hey. Yes there are references to Catholicism in
Shakespeare’s plays – but England was a country in religious transition, and it’s
fairly certain the citizens of Stratford-Upon-Avon would have a hard time
letting go of their old ways.